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朵星战士阿部察察与唐朝大将军唐青风相知相恋，第一次体验到了与地球人之间的爱情。然而这一场跨星际跨种族的爱恋却引发了一系列后续大BUG，星际时空的历史线被这一意外搅乱。当地球人唐青风终于在浩瀚宇宙中的飞船内苏醒，阿部激动地以为两人可以就此携手宇宙一直浪下去时，宇宙时空管理局突然出现，要依法逮捕唐青风。设法暂时逃离时空管理局追捕的阿部与唐青风为了挽救这一切，修改航行坐标，返回唐朝寻找真相。不料天不遂人愿，他们居然活生生落到了隋朝，还遇到了唐青风的祖先，唐元畅。唐青风的突然粒子化让阿部终于意识到现在他们身处的朝代，任何蝴蝶效应都会引起唐朝的消失，而作为唐朝人的唐青风也会就此不复存在！为了爱与和平，阿部和唐青风竭力帮助唐元畅走入历史正轨，让他按照史书记载成为唐朝的开国大将。。播音人原拟名是播音皇子，这个原名有部份观众仍会采用，可能当年无线电视宣传时会采用这名字，所以也为人认识。固名思义，这剧是说当年从事播音事业的人的工作生活为主，是由香港剧集里传统伦理及爱情的故事组成。 剧中男主角韦业昌（周润发饰）自小与母亲彩姐（南红饰）相依为命，後来获海外进修法律，学成归来。彩姐早前租其家予多位在电台工作的街坊，包括装作风流的太子佳（罗浩楷饰），常扮演孩子声的阿红（庄文清饰）、风骚的阿娟（刘雅丽饰）等，大家相处和谐，各人亦有不同个性…… 与昌同屋自小成长的吕熙（苗侨伟饰）有次幸获电台聘约，昌与他一起往电台时与电台女播音员欧若芷（赵雅芝饰）相识，二人产生好感…… 这套剧集只要是分电台内外的，电台里有包括两家电台的节目竞争，身为节目总监的陆小姐（程可为饰），暗恋欧若芷的播音王子萧文骏（萧亮饰），刻薄不可一世的广播剧先辈马...。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。