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前乐队主唱杨可以出道失败，踏上残酷的找工作历程。四处碰壁后，终于在黑狸堂广告公司找到了容身之处，谁知等待他的竟然是惨绝人寰的社畜生活。996加班自是不必多说，杨可以还不幸被自己的奇葩上司叶守愚认定有成为“社畜之王”的潜质，得到了“特殊关照”。更倒霉的是，他的搭档是同期进入公司的废柴——林开心。就在杨可以刚刚适应了荒诞的“社畜生活”时，前乐队队长，现已是大明星的温世晴与杨可以相遇。面对重回娱乐圈的邀约，杨可以的心动摇了。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。