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视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。以“人生是旷野”为题，瞄准当下人们的情感锚点，讲述「人生是一场奔向旷野的旅途」，以「起意、寻解、行路、驻足、收获、见心」为题眼，将真实的人物或故事以旅行Vlog、伪纪录等创意视频的形式呈现，与节目内容环环扣，带领观众走入秋日山高水长的广阔画卷，提取极具重阳节文化符号的元素进行艺术加工，呈现中国文化之美、艺术之美、风景人文之美，展现华夏文明的精神追求。感受重阳独有的醇厚情感，在光影交错、岁月变迁中寻找到独属自己的人生节奏。。